My blog entries have been delayed, because I have several decades of thoughts continuing simultaneously. I can include this long poem that I worked on in 2002. This long poem refers to movies - Black Orpheus, Auntie Mame, and 2013's Fruitvale Station - where other film is spliced in. It mentions a 2002 mining rescue of nine miners trapped underground for three days, and a radio show host of big band swing. It also refers to 1965 to 1967 when I worked at the library in high school.
A Long Poem - Meditation
BLACK ORPHEUS AND AUNTIE MAME
The band on the ferryboat kept playing,
spliced into Black Orpheus,
another roll, another camera.
It was the international
geophysical year, the 1950s,
Early in the 1950s Auntie Mame
in a taxi, in the taxi back window
is inserted street-scene footage
it is wide, loose pieces.
In 1957 my aunt died.
My aunt was blind.
thirty-one years of sight.
Thirty-four years of dark.
She died of a heart attack in 1957.
I could watch Auntie Mame
on a library video player.
As I watched,
during two thousand two nine miners
were trapped underground for three days.
Late on Saturday evening,
it shows in the newspaper photo
there was still a little light
in his headlamp. As
they rose,
the radio in the small kitchen
did a television theme song
recognition contest.
I could
never call long distance.
Dr. Kildare. Steve
Allen. Route 66
from so long ago.
Cynthia Doyan was the radio host.
As it happend - she ended her life on impulse
when her radio station let her go.
MEDITATION - 2013 VERSION
Fruitvale Station resembles Black Orpheus.
The rapid transit train,
spliced earlier material,
the people
of African descent, the love and violence
in a night of exuberant holiday celebration.
I was writing a meditation in 2002
about music in Brazil and a 1960s
Time-Life Series about countries.
This meditation is a version.
The Samba and Carnival are joy
before Lent begins.
Bossa Nova puts
Samba indoors into nightclubs, so joy
confronts the sad, sad blues.
IN MY MEDITATION
There was the damaged book.
And that
began my thoughts.
On a chair in the small kitchen
there was the damaged book.
The sky in the window
and the house next door were blue.
Not chrome
like a painting by Hopper,
no. But through the
screen -
like some photographs are blue
in wide, loose pieces.
Like light was on the planet
so water turned like animated jewels.
In the small kitchen
there were such waves of weariness.
But along through the air
there wheeled in spirals
Ideas about the photographs
inside the damaged book.
I lifted such books one by one
in the warm air near open library windows.
Such a Time-Life book slowed
for a moment. I felt
then
so much desire
To be at the white building
in the Time-Life book called GREECE,
or at the beach near the sea,
that I was there,
and it was not desire at all,
but a miracle.
BRAZIL.
Did it pass through my hands
into a bag to the main library?
Forty years since BRAZIL
by Elizabeth Bishop and the editors
of Time-Life, it is library re-bound,
a glossy pattern of green,
the narrative columns meet
so that letters are missing at the binding.
But someone with a razor blade
stole a dozen pictures.
The wide, loose pieces
like animated jewels.
THE BOOKS ABOUT PHOTOGRAPHY
In the small kitchen
there were the waves of weariness.
There was the damaged book.
When I
brought that back I had to report it.
When I brought back BRAZIL,
I tested for Library Assistant, then
Looked through books about photography.
The animated jewels, the color imbalance.
In one caption it is FOCUS -
the background, the foreground
in a compromise of blur
to avoid a shadow everywhere.
No loss of detail
into the shadow everywhere.
There is a compromise of blur.
Then people, landscape
are as the eye would see it.
A COMPROMISE OF BLUR
I had tested for library assistant.
Then studied books about photography.
At the park, dark tree species,
cars with shadows,
the church at the top of the street,
all focused into that
appearance. A
compromise of blur
with some color imbalance.
Mid-July, sun everywhere,
a photograph from the 1950s,
all the park framed ahead -
it was miraculous desire.
So much desire
To be that it was not desire at all,
but a miracle.