|Name lists arranged in the room|
|Name lists arranged in the room|
The Peninsula Park at Point Defiance which is looking for a name could feature one of the metal sculptures like the Top of the Ocean Memorial, but the new sculpture could show the whole Ruston Way Old Town Industrial Complex. My first home was above the Dickman Mill in Old Town. The size and level of destruction of the harvesting of natural resources in this area is hardly apparent to people who see it today. It cries out for an explanation that is true and factual. The name I submitted is: Old Town / Ruston Way Industrial History Park -
And another poem from 1993: A 25-year Reunion Directory, when the catering groups for reunions were only starting up, was mailed over three months after the event...
A SERIES OF EVENTS IN JANUARY 1993
The arrival of the reunion directory
was supposed to culminate a series of four events.
I bought wool on sale
and sewed an A-line skirt,
gray plaid with a line of brown.
I biked in my black jeans for the Sunday
smelter smokestack demolition.
I stood two hours in cold on Sunday
in a clear view on a lot with many others,
until they set off charges in the stack
and a puff crawled up the base
and it began to tip, then collapsed
all in a shimmer, down, and that
was how it vanished. Then I pedaled back.
I wore the skirt on Monday for the march
when they changed the name of K-Street
to Martin Luther King, Jr. Way. It means
the area is African-American, now,
despite the Valhalla Temple. Strange,
yet not at all, to walk below the temple
windows behind some Indians.
My mother would not have winked an eye.
And would have played piano,
my father filled prescriptions
where it is now Browne's Star Grill.
When the storm woke me
on Inauguration Day
I dressed in the skirt and a pink sweater.
In the cold and dark of the wind
a panel of fresh tar paper
blew off the roof past my window,
but my radio batteries were good.
Later, when I phoned about the directory,
they explained rather riskily, already
over three months, they had been
out of power, like so many all weekend long.
This poem from 1993...
UNIVERSAL GRIND October 21, 1993
Can opener wedged into
slit and slit only a dent
across the several gallon firmament.
Folger's Universal Grind
holds the larger plant up
to the kitchen light,
the Eastern Magician
carries the stars in a row.
But the sense within it
of the useless opener
thwarted and outsmarted
tinctures the idea of it.
Deaths falls out of the glass
like snow - it fell and fell,
that box of candles
all the listed glass unwraps
tissue papers, all are crowds
of tears all balled
on the floor. Ice crackles
in the glass, ice water
down again on the mat.
I want my pieces I've salvaged.
I dreamed last night
that a man carried off
my revere ware pots, I cried
those belonged to my mother.
And after it all, all pieces,
the sorrow chases me
without a brain, undoes
my strenuous agony,
the ministry, from its carport,
cries for charity.
My mind walks
to the cemetery again
to clear a leaf off our name.
A Reeves Soundcraft Recording Disc contains two songs by the Order of Runeberg Choir: Slumrande Toner and Vart skall jag köra hästar och vagn? I did a slideshow audio for Slumrande Toner and posted it at Facebook earlier, yesterday I posted a slideshow audio for Vart skall jag köra hästar och vagn?
Vart skall jag köra hästar och vagn? was on the program at the April 30, 1955 Runeberg Songfest in Seattle. This event was held at a Masonic Temple.
The song is not in the collected songbooks at the Scandinavian Immigrant Experience Archives and not on the internet. Hasse Nygard shared a link to the three verses and the music through "Malax Bygden Forr och Nu" on Facebook.
It is possible that Order of Runeberg Choir Directors avoided the song because of content. A story had to be innocent of any wrong-doing, according to the principles of the Motion Picture Code established in the early 1930s. Vart skall jag köra hästar och vagn? is a song about a buggy ride. "The Surrey With The Fringe on Top" met the standard. In Autumn, 1955, "Love and Marriage…" in a musical of Our Town, by Thornton Wilder, remained met the standard: "...goes together like a horse and carriage. Dad was told by mother, You can't have one without the other."
The buggy ride in Vart skall jag köra hästar och vagn?, is a duet about sexuality, and the couple portrayed is clearly not married. It is possible that Order of Runeberg Choir directors avoided a song like this because of this content.
Much of the translation in the slideshow audio I did is from PLU Archives Director Kerstin Ringdahl.
Novels and Amber Alert and MILK CARTONS – Thirty and more years, since the 1980s milk cartons have spoken in kitchens of children's misfortunes. The internet now provides Amber Alert.
The novel I am reading right now is a re-read of a third volume in a mystery series, The Ruth Galloway series. By Elly Griffiths. The House At Sea's End, in its scope, also speaks out about children's misfortunes as it continues an exploration of an ancient history of archeological finds in Norfolk, England.
The books' mild, forgiving approach, an approach of moderation in appeal, shape a character study of the earliest realities of a single mother and her child. As a reader, I am made aware (The trap is set.) as the father initiates a rendezvous, near the time of the child's first birthday. The single mother is a forensic archaeologist.
The series includes organic literary references; at one point, in a rowboat, Arthur Ransome's name rises. Or the characters' goings about feel like Shakespeare's characters lost in a forest. A new volume in the series is out and before I read it I wanted to re-read to remind myself of this story. I think the Norfolk, England archaeology setting, the kind approach to the characters, and the stresses of our times make the mystery series important.